Waterworld/B+,A
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Universal/1995/136m/ANA 1.85 |
Concerns with
production budgets of major Hollywood films have been piled so high that
often the movie going audience cannot see beyond the barrier. Granted, if
we had to pay our pro-rata share of a film's budget to gain admittance, it
might be good reason for pause, but that's not the case. The free market
determines how much exhibitors can charge for a ticket. So, when a budget,
like Waterworld's, rises to tidal wave proportions, it's the
studio's problem. Me, I just go see the movie. And what a mistake to have
given Waterworld the short shrift because of all that constipated
budget hoopla. Waterworld is a terrific action movie, derivative,
yes, but the execution is handled with distinction.
Comparisons
with The Road Warrior, the apocalyptic Australian film which
starred Mel Gibson, cannot be ignored, but if the writers of Waterworld
had to choose to expand on something, this was a good choice. The pockets
of survivors transfer well from the dry land of The Road Warrior to
the ocean covered face of Waterworld. There's plenty of fun in watching
the bikers on water attacking a cleverly constructed floating fort
constructed of collected debris. What is constantly mystifying in Waterworld
is where these survivors managed to cadge all the materials necessary to
exist in there world when paper is so precious it's value may even rival
dirt.
There is a
nice balance between the various biker jetski assaults and some of the
more contemplative moments that take place on the hero's cleverly
constructed catamaran. Kevin Costner plays the hero in Waterworld,
a mutant formed by the apocalypse, half man, half fish(rest assured mostly
man). Called "The Mariner," Costner combines a stoic nature with
robust physicality to create an outstanding film hero. On his boat, he's
at one with the environment, a man at peace with the laws of his world;
but he sure can swing into action when sundry challenges arrive. Believe
or not, this Costner is one of the most believable action heroes the
screen has seen in years. Costner gets excellent support from an
interesting Jean Tripplehorn as an unattached women trying to survive.
Tina Majorino as the young child who is to lead these water bound
characters to land is a delight. The scenes between Costner and Majorino
are outstanding and his eventual rescue of the child is pure pleasure.
You've got to love this kid as she extols the virtues of her hero to the
villains. Costner works wonderfully with children. Dennis Hopper leads the
mad crew of water bikers on their relentless pursuit of nastiness. Hopper
is broad in spewing his villainous venom, but he remains acceptably within
the bounds of action convention to create an entertaining character.
Production
design by Dennis Gassner is outstanding. The floating atoll fort is an
entertainment in itself and the interiors on Hopper's command ship, the
salvaged Exxon Valdez(right, that's a bit much)provide an excellent
pathway for Costner's acrobatics. The production succeeds in creating an
image of it's own world. Dean Semler's photography is extremely handsome,
though there are times when various weather conditions make it difficult
for seamless editing. Kevin Reynolds, with an acrimonious assist from
Kevin Costner in the editing room, has fashioned a hugely entertaining
action canvas. The battles are dynamic and worth the price of admission
alone.
An absolutely
stunning DVD that captures the breathtaking camera work of Waterworld,
this anamorphic widescreen transfer is sharp as can be with dynamic
consistent colors. Viewed on Component output, there are virtually no
evident NTSC artifacts. Difficult oceans landscapes are flawless. The
film-like quality combines with the action for a mesmerizing movie
experience. The Dolby 5:0 sound is very active and the bass extension
packs plenty of wallop.
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