Some Like it Hot/A, C |
MGM/1959/119/WS 1.66 |
When Some Like it Hot is released on a new HDDVD
format sometime in the next five years, it will be yet another opportunity
to laugh myself silly in one of director Billy Wilder's most sublime
successes .Before watching it on DVD recently, I thought maybe it’s
comic magic had grown in my mind in the years since I last saw it. It’s as
funny or funnier than ever, happily. The zany plot is consistently true to
itself. The characters are given the snappiest, slightly licentious,
dialogue this side of Preston Sturges.
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A little
sugar in the bunk adds spice. ©MGM |
You could say Some Like it Hot is a one joke movie, but
the execution is splendid. Down and out musicians Joe and Jerry witness of
Chicago gangland mass murder. They barely escape themselves and hightail it
out of Chicago at the first opportunity. Happily, they land a gig in an
all-girl band headed to sunny Florida. The train trip to Palm Beach is a
blessed hoot and the film stays on track full steam ahead right to inspired
last line. never flags. Joe and Jerry are entranced by girl singer Sugar
Cane, and lothario Joe sets out to capture her heart. Jerry has to fend for
himself and fend off Osgood E. Fielding III. The girdle work provides plenty
of belly laughs. Wilder and his co writer Diamond are in top form and the
great San Diego Coronado Hotel setting adds to the delight.
Marilyn Monroe wriggles and shakes her way as Sugar
Cane to iconic perfection. Mining her obvious assets lusciously, her
somewhat overripe body oozes sex and innocence in perfect proportion.
Tony Curtis and Jack Lemmon are hilarious in drag, and Curtis is even
funnier doing his best take on Cary Grant. Joe E. Brown, a comedian from
another era, plays it like his character is from another era. His acting
style is quite different from everyone else in Some Like it Hot, but
it works beautifully.
The transfer falls short in this MGM DVD. It’s
letterbox 1.66, not anamorphically enhanced, but there’s plenty enough
resolution to deliver the goods in sharp condition. That is not always the
case however. There are too many slightly fuzzy scenes. Happily, the
close-ups of Monroe are all sharp and catch every sparkle of her eyes.
Contrast ratio is slightly less punchy than I like, but it’s livable. The
sound is very thin, just short of distracting. There is some dirt and
scratches that show up and a few jumpy edge artifacts are in evidence as
well.
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