Quicksand/B-,B |
Image/1950/79/BW/FS
1.33 |
Quicksand is a lean noir. Auto mechanic Joe
Hardy likes the ladies. When a flashy blonde struts behind the counter of a
diner where he's catching lunch, Hardy's glib patter secures a late date. Back
at the garage, Hardy realizes he he's flat broke and needs to come up with some
greenbacks to entertain the lady. One complication leads to another. When you
make that first false step into quicksand, getting out is none too easy.
Perhaps the script is too predictable and some of the sermonizing regrettable,
but Quicksand manages to deliver reasonable "B" entertainment.
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Oil and quicksand mix in an
amusement parlor. ŠIMage |
Mickey Rooney as the auto mechanic slowly sinking in the
title's proverbial quicksand does a
good job. There's little characteristic mugging or posturing, though his trousers are decidedly too
short. Jeanne Cagney, the younger sister of James Cagney, looks too much like
her brother for my comfort
level. She's not very convincing as the platinum blonde who precipitates Mickey's decent. There are
several other inanely scripted portrayals and Peter Lorre has a role that gives him very
little to do but look quite oily. He does do oily with slick precision.
Quicksand is photographed in a clean noir
style. There are few dalliances along the way to the climatic scenes. Straight
forward in every way, you get what you expect.
This is the best of the recently released group of B
flicks starring Mickey Rooney. Transfer elements are in very good shape with
very little dirt. There are a couple of bad splices and some background elements
that appear to have been affected by the MPEG compression. Detail is uniformly
excellent. Grain is present, but is mostly transferred with fine structure. This
noir has fine contrast range, fully exposing shadow details and emphasizing the
dramatic high key lights. The Dolby mono soundtrack is free of hiss, while there
is a touch of wow and flutter in the score. Dialogue may be ripe at times, but
it's delivered clearly.
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