Soldier/B,A- | ||
Warner/1998/99m/ANA 2.35, PS 1.33 |
||
I found myself strangely moved by Todd, the main
character in Soldier, a cold vision of the future with definite Nietzchean
overtones. The unwaveringly cold opening sequences in Soldier set Todd up for even
the slightest subtleties of emotion and the screenplay delivers powerfully in its quieter
moments. Okay, this is a big action flick. The guns are powerful, the explosions
relentless and the inevitable confrontations are played out predictably with only moderate
satisfaction. Yes, and there are more wholes in the plot and concept than I'd care to
acknowledge. But I wanted to ignore the dubious technological time frame and the string of
kitchy parking meters used to link the wind life-lines, and the pretty awful concept of a
villain, a colonel with enough power to self destroy a multi-million dollar program
through cowering idiocy. It all came down to Todd. If the character of Todd does not work
for you Soldier dies an ignominious death. But if you can creep inside Todd's skin,
feel the action through his expanding consciousness, perhaps Soldier will move you in
unexpected ways.
Kurt Russell is a much
underrated actor. Soldier, while on one level seems a limited range for an actor,
presents a challenge to Russell in finding an economy of emotional range that conveys
enormous feeling with only the slight use of facial expression. Somewhere behind the cold
blue of the eyes lies the heart of a man trying to find his humanity. |