Crumb/A-,C+ | ||
Columbia/1994/119m/FS 1.33 & 1.66 |
||
Shocking in its frankness, an eerie sensibility
pervades Crumb. A documentary about avant-garde cartoonist and social satirist
Robert Crumb, this film by Terry Zwigoff basks in its own eccentricity. Zwigoff has been
friends with Crumb for years and the freedom of friendship translates into a devastating
honest portrait, intimate, grotesque, and ferocious in its search for truth. Crumb and his
outrageously erotic cartoons were born on the irreverence of the sixties counter-culture
and filmmaker Zwigoff successfully engages the time machine in turning back the clock .
Zwigoff visits Crumbs
past through interviews, with Crumb as a participant, photographs of the Crumb family, and
a consistent sprinkling of Crumbs irreverent art depicted with a libidinous freedom
that is a signature for the bizarre work of the artist. Crumb seems totally at ease in
front of Zwigoffs camera. There is a childlike quality to all the Crumb brothers,
but it is only Robert who has managed to carve out a life of meaning. These people are
from another dimension, a product of repressed homes and mind altering drugs. The film
spends its time learning about Crumb at his family home as Robert and the camera visit
with his brother Charles, a recluse who reluctantly holds court in the quarters of his
disheveled bedroom and his mother slouched on the couch of the family living room. Former
sexual intimates of Crumb reflect on his prowess as a cocksman with glee and Robert
himself joins in the raunchy recollections. What surfaces is Crumb the survivor, the only
one of three brothers to chart a successful course through the turbulently icy waters of
their origins. |