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						 Badlands/B+,B 
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						 Warner/1973/95m/ANA
							1.85 
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			     Terrence Malick captures the space
				surrounding one’s
				inner existence with ex-ray perception. In Badlands, two young
				people, lost in their worlds and trying to find a meaning to
				life,  gravitate to
				one another. Kit throws garbage for work and one day meets
				lonely Holly in front of her house. Kit charms Holly with his
				attention. Together, they seek escape from their mundane
				existence. The unexpected journey is both beautiful and
				horrifying. Set in settings of bucolic innocence, director
				Malick's vision, makes sharp and sudden changes in direction.
				From romance to thriller to road movie, Badlands travels
				under confident guidance. Montana and South Dakota look bleak
				and beautiful. 
			
				
				
					
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							 Innocent
								meeting. ©Warner  | 
					 
				 
				
			 
			      Martin
				Sheen is devastating in his portrait of Kit Carruthers. Sheen's
				matter-of-fact attitude is delivered with an eerie sense of
				amorality. Kit does what he must to survive. I don't think he
				even understands his own motivation. Sissy Spacek’s
				narration as the teenage Holly, tinged with innocence and an acceptance of fate,
				represents the tone of the empty Malick landscape to perfection.
				Spacek, young, beautiful, virginally innocent, speaks with a forlorn
				fatefulness. The heavy narration accompanying the beautiful
				images is crucial to the success of Badlands, and Spacek
				delivers the goods.  There are great characters aside from
				Kit and Holly. Holly's Dad, a sign painter, is  wonderfully
				written. The opportunity to show off his work against the
				desolate backdrops is spectacular. Warren Oates is perfect
				casting as the Dad. Oates looks like he knows how to paint a
				sign and work at being a single father.  
				     A hallmark of the Malick's few films is
				exquisite photography. Badlands features the work of a
				young Tak Fujimoto, but it is Malick's vision, just as Days
				of Heaven and the recent Thin
				Red Line, reflect the vision of the director. The
				score's light, fairy tale, feeling, suckers you into the
				darkness of Badlands. Innocence destroyed is a powerful
				theme. Malick's team puts the elements together with rare
				harmony. But, most significant is the credit "written,
				directed and produced by Terrence Malick." 
				      The range of colors on this DVD capture the
				outstanding photography quite well. Contrast is also excellent
				with fine lighting balance. The DVD suffers from excessive edge
				enhancement resulting in ghosting around many images. The film
				elements are very grainy and the grain on the DVD is even more
				prominent because of the enhancement.  Badlands has been remixed
				to Dolby Digital 5:1 surround. The music, so integral to the
				feeling of the feeling, is delivered very cleanly, as is the
				dialogue. The gun shots are sudden and shocking in report.
				Surround information is not aggressive.
				
				 
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